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Summer Trip Day Four, Yosemite and Mono Lake

Mono_Lake

I continue to be inspired by my infrared photos. The image above is from the South Tufa area of Mono Lake, near Lee Vining, California. Mono Lake is an alkaline and saline lake, and the tufas are calcite rock formations in several locations there. The infrared camera highlights the interesting clouds we had today.

In Yosemite, the Grouse Creek fire continues to burn, and the Yosemite Valley had even more smoke today than yesterday. I did spend more time at the Mariposa Grove of Giant Sequoias.

Tomorrow, I plan to explore south from Bishop.

Summer Trip Day Three, Yosemite

Yosemite_Valley

I spent the day exploring more of Yosemite, hiking to Taft Point, driving to Washburn and Glacier Points, and then spending more time in Yosemite Valley.

The Valley has a lot of smoke in it from the Grouse Fire, which started from lightning about a month ago. It’s a little frustrating that the grand vistas are pretty hazy, but I appreciate the benefits that fire brings to the forest environment.

The image above is another infrared photo. It is the classic view from the “Tunnel View” overlook. El Capitan is on the left. Half Dome is just left of center in the far distance. Bridalveil Falls is in the lower right.

Tomorrow, I work my way back through the Yosemite high country, and will end up in Bishop, on the other side of the Sierras.

PS: My friend Nancy wanted a photo of me driving through one of those “tunnel trees”. The California Tunnel Tree in the Mariposa Grove of Giant Sequoias isn’t big enough for a car (and they don’t allow them there anyway). When the tunnel was cut in 1895, they didn’t foresee the size of today’s cars. No car, but here I am under the tree.

california_tunnel_tree

Summer Trip Day Two, Yosemite

upper_yosemite_falls

I drove down to Yosemite today—my first time visiting this park.

I like to get to know a place before I try to get serious with my photography. I spent some time at Tuolomne Meadows, and some time in Yosemite Valley. In the valley, I took some of the iconic shots that you’ve seen from other photographers. Of course, as I mentioned in my earlier post, if it’s in Yosemite Valley, somebody’s taken the photo before.

I am doing something a little different—I brought my Infrared Nikon D200, and trying a few infrared shots. The image above is an infrared shot of Upper Yosemite Falls in afternoon light, converted to black and white with Nik Software’s Silver Efex Pro.

I also brought along my video camera. I’m not good at video yet, but I’m working on it.

Tomorrow is another day in Yosemite.

Summer Trip Day One, Reno

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Just a quick blog post to say that there’s no blog post today.

Thanks to an “equipment change”, I had a four-hour layover in DFW and it took me a lot longer to get to Reno than expected.

I did have dinner with one of my best friends from college and her family.  It was great catching up.

See you tomorrow.

Summer Trip Day Zero, Austin

Jet at Sunrise

Tomorrow morning, I leave for Reno, Nevada.  I hope to see an old friend, and spend some time near Lake Tahoe. And then on to Yosemite National Park.

I’ve never been to this section of the country before, and I’ve been looking forward to this trip for a couple of months.

Yosemite, of course, has been made famous by photographers such as Ansel Adams, William Neill, and scores of others. I have a good friend who has mentioned that she’s intimidated by Yosemite—“how to take a unique, interesting picture when every square inch of the place has been photographed before?”

I also realize that the week before July 4 isn’t the best time to visit a major national park if I want to avoid crowds.

But I’m not going with a list of “must have” shots.  I’m not going with an agenda.  I’m not going with much of a schedule to keep.

Will I shoot the iconic pictures of El Capitan, Half Dome, waterfalls?  Probably.  Maybe just for my own memories—or for some photographic “B roll”, as it were. Or maybe I’ll find a perfect shot.

I do hope that Yosemite Valley will be one of those places that takes my breath away when I see it.  Places like Crater Lake in Oregon, or the Grand Canyons of the Colorado or the Yellowstone.

But if I go into this with fixed ideas of what I’m going to shoot, I might miss something beautiful right in front of me. Recently, I’ve had some great lunch conversations with one of my best friends about this—about being ready to let good things happen in life, rather than trying to force them to happen.

I’m optimistic. See you on the road.

Telling a Story

26-06 for blog

I was in a meeting about social video the other day—an R&D guy in a marketing meeting, I’m no expert compared to the others in the room.

We talked about traits of good and bad videos. One of our Audio/Visual experts talked about how good videos had a beginning, a middle, and an end. I agree with this statement to the extent that good videos tell good stories, and good stories always need a beginning, middle, and end.

As a still photographer, I am constantly striving for an image that tells a full story. An image that doesn’t need an explanation—something powerful that tells its own story, and even captures in a single scene what happened before and what happened after.

And like most photographers, I don’t usually succeed at that.


I immediately thought of the image above, from the Grand Canyon. (Kodak E-6 100-speed film, Nikon F100, 1/40s f/3.2, Nikkor 80-200mm f/2.8 lens)

It shows Zoroaster and Brahma Temples in the fading sunset light.  Smoke from a forest fire near Cape Royal is blowing westward, and is lifted by the thermals coming up Bright Angel Canyon, settling again as the smoke reaches the Kaibab Plateau.

I like the image because it tells a story… a bit about a forest fire, geography, geology, and weather.

I showed it once as a 12”x18” print to Jim Steinberg, a professional photographer in Colorado. I told him the story behind the image, and what I thought was beautiful and interesting about it. Politely, he suggested that the image wasn’t very strong and that it did not, in fact, tell its own story. It only became interesting when I was there to tell the story.

Of course, Jim was right. That was good feedback. I needed to hear it.


I still like the  photograph. I still like the story that goes with it.

This blog lets me put words around my photographs. As some of my friends know, I like to write.

I’m about to leave for a two-week trip to the western United States.  (Nevada, California, and Oregon, at least.) I hope to publish on this blog frequently during the trip, with photos, short videos, and the stories around them.  Stay tuned.

You can also follow me on Twitter, if you like short, often pointless, updates.

Boston Trip

I was in Boston recently for work, but had a little bit of spare time to visit Cape Ann (Gloucester, Rockport, etc.).  Here are a few of my favorite photos…

Herring Gulls, Larus argentatus, (~3-year-old juvenile in front). I took this along the Eastern Point breakwater in Gloucester. Click to enlarge any image.

Herring_Gulls

Rockport Harbor

 Rockport_Harbor

Fish Net Buoys in Rockport

boat_fenders

Hill Country Ranch Weekend

Last weekend, I had the great privilege to visit a friend’s ranch near Kerrville, Texas, with a few other photographers.

We were hoping for partly cloudy, interesting skies.  Instead, it was overcast and misty much of the time.  But this didn’t prevent us from going out and photographing.

One of the tricks I learned from Bob Krist is that when the weather’s bad, you can usually wait until a few minutes after sunset, and the sky will go blue.  I also used a little flash to kick a little light onto the Texas flag.  (Click on any of the images to view them larger.)The Front of the House After Sunset

Another trick I’ve learned is that infrared can make overcast skies look pretty interesting even in the middle of the day.  I have a Nikon D200 that I’ve converted to infrared (at lifepixel.com).

I took the infrared idea a step further.  I used the intervalometer built into most Nikon DSLRs, and set it up to take a photo every couple of seconds for a few minutes, and then converted these images to a video with Adobe Photoshop Extended.  (As expected, the “HQ” button below noticeably improves the video quality.)

On Saturday afternoon, we had a few hours of sun, where the infrared images get really interesting.  Here’s the back porch of the ranch house…

Infrared View of the Back Porch

And in this infrared shot, I’ve left the colors that come straight out of the sensor.  There’s a hint of blue left in the flag, and I like the overall sepia tone. False Color Infrared View of the Front of the House

One morning, we hiked up one of the hills to an area that overlooks the ranch house.  There’s an old Madrone tree part of the way up.

Madrone Tree

The hillside opposite the front of the house was covered in wildflowers, especially Damianita.  Here’s a fisheye view of several hundred flowers.

Damianita Daisy (Chrysactinia mexicana)

The Prickly Pear cactus were also beginning to bloom.  Here are some near the old corn cribs.Prickly Pear near the Corn Cribs

On our last morning at the ranch, we decided to try to find a golden-cheeked warbler.  We never found one, but I did get this photo of an Ash-Throated Flycatcher.

Ash-throated Flycatcher

Here’s a photo of John Wheat, in search of the elusive warbler.

John Wheat

And here’s a shot of my buddy Copper.  She is a city dog who loves being a ranch dog, too.  She’s on a diet.

My Buddy Copper

It is a tradition that every group that visits the ranch gets their picture taken by the bell, so here’s our gang.  We’re smiling, but a little disappointed that our ranch adventure had to end so soon.

Our Photography Group

Thanks for a wonderful weekend!

In Search Of Conservation Photography

Conservation Photography

Are you using technology in green or environmental engineering?  I’m in search of a conservation photography project.  I’ll help document and publicize your project.  How can I help you?  Email [email protected].

In honor of Earth Week, I’m letting you in on my crazy idea.  As many of you know, I have a day job working in software, and I’m honored to work for a company that has “improve everyday life” in its mission statement.  I think most of us go through life just wanting to know that we’re making a difference somehow.  I try to make a difference at work.  I try to make a difference in the lives of my friends and family.

One of my goals for this year is to take on at least one conservation photography project.  I want to tell a story in photos and words that show the beauty of something you are trying to save.  A conservation photography project is more than just photos.  It’s the story around it.  It’s what we’re trying to save, and why and how we’re trying to save it.  It’s about the threats, and why those threats exist.  And as Cristina Mittermeier reminds us in her article, What is Conservation Photography? , it’s about what you do with the story afterwards.  I want to work on a conservation photography project that will make a difference.

The ideal project would be one that uses National Instruments products somehow, but I’m open to anything.  No, I don’t know how all of this is going to work out–that’s the crazy part, and through Twitter (twitter.com/brianhpowell), Facebook, and this blog, I plan to take you along for the ride.

Please spread the word–retweet this, post a link, email your friends who might have some ideas.  And email [email protected] with your thoughts.  Thanks!

Brian

 

Giant Spanish Dagger

We’ve had a Giant Spanish Dagger (Yucca faxoniana) in our backyard for a few years, and for the first time it’s started to bloom. It’s about 8 feet tall. The flower stalk is growing an inch or two a day.

For the photos below, I mounted my camera on a monopod with a wide angle lens. I used a 10 second timer delay, pressed the shutter, and positioned the camera near the flower stalk in time for the shutter release.